Wednesday 11 December 2013

ELMWOOD BRAND THE BORING - Concept Boards



After taking board feedback from the crits we had with Steph I made some changes. Instead of sticking with the black and white colour scheme I decided to incorporate gold leaf into the products. This way it relates more so to traditional bibles, and also gives the brand a sense of luxury. I have also added some extra products and considered the placement of the shop in an attempt to push the concept to its limits.

Tuesday 10 December 2013

THE DATA SHED - Concept Boards

EDIBLE TYPE - Concept Boards



Evaluation

I found this brief was really fun. It was only a quick brief but It I think the finished product was well thought of and produced well. It was nice to get away from the computer and work in a different way for a change. I find that working on the computer for an extended period of time becomes really taxing on the mind and body. This brief gave me the chance to work with sweets which is always a good. It all went relatively smoothly until I came across a missing letter. I had done well getting enough letters to produce the word search but it was a missing T that forced me back into town to get re-stocked in time to get the poster glued together. Surprisingly the sweets bonded with the super glue without damaging the sweets. This makes me wonder what actually goes into the sweets. It was nice to produce a poster which hasn't been printed. I really liked working with this media and there is definitely room to push this concept further. You could make many word game style posters using hard ABC candy and this is something to consider in the future.

Monday 9 December 2013

EDIBLE TYPE - FInal Poster

Edible Word Search


After finding out I was getting to use my design for the edible type branding I decided to re do my poster. In order to do so I had to go back to the market to get hold of some more T's as I was short in the previous poster. I drew out a grid and used the light box to project the grid through so I could make sure my type was set up neat and straight. Once I had done this I glued each of the candy letters down finishing it off with my initials in the bottom right. I used strawberry boot laces to ring the words in the word search.


In order to get a good photo of the poster I took it down to the photography studio, where Gretta helped me to get some nice shots of the poster. We experimented with the lighting in order to get a clear image with some nice shadows. The poster photographed great and I am really happy with the outcome.

Final Photo


I changed the vibrancy of the image in order to make the letters pop more giving it that rich sweet glow emphasizing the candy. The square composition works well and the information reads clearly. I am happy with the concept and the way it has turned out, the fact the type is 3D and edible adds to the spirit of the competition. The 3d element helps to catch the viewers attention and hopefully the fact it is different from your average poster will help as well. This was a fun brief to do and I am thoroughly happy with how it has turned out.

THE BEAUTIFUL MEME - Concept Boards

A VERY ALTERNATIVE CHRISTMAS - Concept Boards

DR.ME COLLABORATIVE FLAG - Concept Boards

Saturday 7 December 2013

Edible Type Poster

I went to the market and got 300grams of ABC candy in order to produce the poster, after returning I realized out of the huge bag I only had one 'T' which was a bit of a problem so I have had to Photoshop the T in the for the time being. 

Candy Alphabet
 

I laid out the alphabet at 1st to check I had everything

Word search layout

 

 After mocking up the 1st poster I realised i had spelt thirteenth wrong and decided the best option would be to stick to photography as adding digital 'ring' elements around the words spoilt the composition and made it look a bit rubbish, the mix of 2 media doesn't work here.

Final Idea

In order to stick with the edible theme i decided to use strawberry boot laces to ring the words highlighting the desired type within the poster. I think the poster works well and represents the competition and theme well. Unfortunately I was late for the pitch so I am hoping I will still be considered for the entry.

Edible Type Poster Research

Biscuit Poster

Rice Paper and Edible Inks

There have not been that many edible posters made so this is something which is quite unique and special. I look forward to making my own version

Possible Sweets to work with

ABC candyland

Barrats Alphabet Letters

ABC Candy Letters
I have seen these in the market, these are probably the best bet.

Friday 6 December 2013

Elmwood Brand the Boring- Initial Ideas

 

One of the first things I started doing was trying to see if there was any word play I could work with using cobbler terminology and found there was quite a few religious references. This ended up being the basis for my branding. I listed words and phrases and whittled down the ones I could work with. 


Once I had decided on my concept I began to come up with various names, I researched into cobbling and also religion to see if there was any references. I found a patron saint of cobblers called st Crispin but decided I was probably taking it too far and also people might not get the reference. Instead I came up with more obvious names linking the 2 themes together.


The next stage was coming up with the logo, I researched into various cobbling tools and items linked with the profession and experimented with different elements to try and produce a logo which links the 2 themes together. I decided I would have to go with the cross but it was linking it to cobbling which was the problem.


I came up with a couple of ideas for how I could push the brand and apply it to various products. I wanted to try and exceed the standard branding application and try and push it too its limits I came up with indents of the logo on the bottom of the soles, like christening them and also a branded shoe horn. these were just the initial stages of the design process.





Edible Type Poster Brief

Brief

For this brief I had to produce a poster advertising the annual edible type competition. This year instead of producing cakes the contenders have to produce type made out of anything edible, with this in mind I wanted to create a poster which had edible elements. I started thinking of games/competitions which involve words and looked at word searches and crosswords, however it was hard to fit the copy into a crossword so I decided to go down the word search route. 

Datashed - Brief Progress

I have completed most of the work for this brief so far, and just need to send off my progress to the client. I am really happy with how this has gone and have found the brief really enjoyable, they have been a pleasure to work with and have agreed with the majority of my design decisions. There have been minor changes to make from the previous crit but I feel I have addressed the issues and produced a consistent body of work which represents the company well and illustrates the companies product well. Hopefully there aren't too many changes to make from this point on. I still have to make arrows etc on top of this but I will speak to the client about there views on this.

The Main Data Shed Image

From the last crit we decided it was a bit too orange so I added in a bright yellow to give contrast to the image. This image works well to sum up the company and illustrates simply what the software does. Basically sorting out a big heap of data into a manageable format for companies.

Single Customer View


This image illustrates the single customer view element to the software which allows you to piece together bits of data which combines to make one person. Ofter people have various different intereactions with companies be it online or in store, this function allows the user to piece together them interactions and build up a profile of that one customer without risk of duplicates. The jigsaw man is made up of various data, and the datashed solves these difficult problems.

Analysis Tools & Dashboard
Click to View


This GIF explains the nature of the Dashboard and the analysis tools, showing that when you add more data the information and stats change to suit the new input, by showing multiple buttons adding information it emphasizes the flexibility of the software. The GIF also shows the userbility, and reorganization aspect of the dashboard showing how the dashboard can be re aranged to suit the specif user.
Icons


The other part of the brief involved creating a set of icons to use on the website. After the crit I had with them last week we settled on the 8 icons we would use and work on, here you can see the development stages, I had to make alterations so that they worked in series, this involved playing with line strokes and spacing.

Here are some alternate icons I will show to the client but I am not that happy with them
 
Final Icons

Here are the final Icons, they work well in a series and follow the brand guideline colour scheme. Hopefully they will be happy with how they have turned out. I am happy with how they look and got good feedback from my peers so I am confident they will be happy with them.



Student Lead Crit - Thursday 5th

Yesterday we had a crit in which we presented 2 briefs to other member of the class. I presented my Data shed brief and my cobbler branding brief for Elmwood. I found the crit was more helpful for the Elmwood brief than it was for the Datashed, this is because the Datashed brief is for a client and at the end of the day its them who decided what they like and we had already spoken prior about what they wanted.We all came up with 5 questions we wanted answering in response to the crit:

Datashed
Do the icons work as a series?
Do they represent their function?

Cobbler
How can I push the brtief further...extra deliverables?
Can you think of any more word puns?
Does the logo represent a cobblers?

Feedback for Datashed
  • The colour scheme works well, and the icons work well as a series, they a clear and precise.
  • The hosting icon was questioned but all agreed on afer a closer look and makes perfect sense in context - this was the clients favourite icon anyway!
  • Illustration style is visually engaging and interesting like the concepts and meanings behind the illustrations
  • Animated Gif is a great addition to show how it would work
Cobbler Elmwood
  • Quite religious but works well as its all linked together.
  • Could expand brief by considering store layout - church style, confession box/repair booth
  • 'Closed on the sabbath'
  • Rosary beads with cross logo.
  • More holey references - holey water, polish
  • Logo represent s cobblers and is iconic.
  • Prayers for shoes
  • 'Cobbling is my Religion'
  • Shoe care manual - bible
  • Holey Ghost

Elmwood Brief - Cobbler Branding 1st Concept & Development Boards


When Elmwood came to visit, they set the class a brief to brand the boring, we were all given different jobs and we had to come up with the name, visual identity, tone of voice and the application of the branding. I was given the proffesion of the cobbler which I thought wasn't that bad in comparison to some of the other professions. 

I started thinking about how I could approach the brief and instantly started thinking about some of the terminology associated with cobblers. The first thing that came to mind was, Heels and soles which had some very religious connotations, with this in mind I decided to go down that avenue. Creating a lighthearted and humorous concept which could run across the branding. Because the concept is quite controversial it will definitely attract attention which is good. I created quite allot of puns to suit the branding and create a consistent tone of voice which can be applied across many products.

I think I have created a solid brand which is humorous and eye catching and will definitely attract a modern day audience. The visual Identity is still quite traditional, keeping with a black and white colour scheme which emphasizes the craftsmanship behind the trade and also as this is probably what the signage would of been like back in the day...black and white.

Crit Feedback

I was really happy with the crit feedback with the designer from Elmwood, she was happy with my concept and designs and was reassuring about my work which was great. The crit helped to narrow down my design style and helped me to narrow down formats and refine design ideas.
  • We decided that I needed to decided on another typeface as I used Bernard Mt Condensed for everything, however it will work allot better with 2 typefaces and just use Bernard for the actual logo. I will have to choose a typeface which works well with the logo and compliments the design.
  • The business cards work better in a portrait format, and I should use the logo on the front of the business card and not the tag lines as the logo has a strong visual identity and works well to grab the customers attention. The portrait format is also a closer reference to prayer books than landscape.
  • Tag line : Christen your soles, - when customers leave with their shoes, also putting the cross on the bottom christens them.
  • Holey Trinity Offer - 3 Products/3 services  - re sole, re lace, polish
  • Close up shop on the sabbath
  • Stained glass Windows with the logo with light shining through
  • Projections of the cross onto the outside.
  • Foot prints walking into the store - pressure washed logo soles.


Thursday 5 December 2013

Elmwood Cobbler Branding Design Development

 Logo Development
 After making the decision to go down the religious route I had to create a logo which kept the theme consistent. The obvious but best route to go down was with the cross as this is recognized world wide and allows room for play. I started by playing about with shoe soles to create the logo but was not liking the results as it looked sloppy and not very recognizable.

Tool Research


Anvil Development
After researching into cobblers tools I realised this would be a good route as soom of the tools lent themselves perfectly to the cross. I experimented with different objects until I found a few which stood out to me. This logo has been made up of shoe anvils to create the cross. I liked the form of the logo however I till didn't think it was an obvious enough link.
I created a few different logos using the anvil but then decided to try something different. Although it did have a strong identity I thought it was too far from the cross to work with the theme and also not recognizable as a cobblers as much as I would like.

Last Tool & Hammer

 I then went on to experimenting with the last which I thought was a more recognizable tool. I also incorporated a cobblers hammer in there too but this spoilt the shape of the cross too much and made it look uneven and lopsided letting the identity down.
I eventually came up with this logo which I think works the best. It is simple bold and eye catching with a strong reference to both the cross and the cobblers. The spacing between the stem and the head of the last emphasizes the cross whilst also making it clear it is made up of tools.
 
Name Development
 
To stick with the theme I had to come up with a name which suited. I researched into the history of cobblers a bit to see if there was any reference in the bible to any and found that there was a patron saint of cobblers called St. Crispin, however I thought this might be taking a bit too far, and also the reference is not that strong for most people as his a saint not many people had heard of. After this I came up with several Puns relating to cobblers.


 Type Choice
 
 
After settling on the Holey Soles I went about finding a type face to work with which looked quite bible like, I also needed something that was bold enough to stand out and grab the customers attention. I ended up using Bernard MT Condensed for the shop name which looked very bold and traditional. Because I am going to incorporate tag lines throughout the branding I needed another type face for the copy and chose Day Roman which is a biblical font.
 
Business Card Development
 I experimented with various different business card layouts in both portrait and landscape to see which worked best. I also incorporated humorous religious/cobbler puns to make the brand more memorable and also to stick with Elmwood's humorous style.
I went with a black and white colour scheme to keep the branding traditional like the profession.


Tag Lines

- We will heel for you
- We will dye for you
- Bad shoes are blasphemous
- We will save your shoes from sin
- We will save your tongue from evil
- We will save your sole
- We work miracles with shoes

Other Products
 
 Another Idea I had would be to have custom soles on all the shoes with the logo on the bottom. This way when people 'walk on water' (puddles) they will leave their mark like Jesus.
'The good book of prices' would be the shops bible which basically has all the prices and information about the cobblers and what it has to offer.

Tuesday 3 December 2013

Elmwood Cobbler Research

In order to get an idea of how other cobblers are branding themselves I researched into existing ones and found that the brands are pretty dull and boring hence the brief title. This has helped to give me an understanding of where they are going wrong but has also educated me on the products and services these companies have to offer.

Garforth Cobblers

This logo references one of the key tools used in the practice. The typeface used is quite traditional.


 Craggs Cobblers

Craggs was probably one of the most current cobblers I found. The branding is quite modern and smart in comparison to all the other brands I have come across.


Timpson Cobblers



Timpsons identity is pretty terrible in my opinion it is plain dull and boring and looks more like a pound store.

The Profession of a Cobbler

This is truly one of the dying trades. A cobbler is, in a time quickly slipping past, a person whose work is to repair and mend damaged shoes. In this day and age, industries are now making thousands of shoes each day, pushing the strenuous craft of making one shoe at a time by hand, out of the door.

Last of a Dying Breed

For a long time, this was a thriving venture which would see the streets of every major city or town, lined up with cobbler shops alongside family ran bakeries and kiosks. Now, shoes are getting disposable with every waking day, as many people do not bother patching up even the tiniest dents that may show up on their shoes. This might be because shoes are getting cheaper, or the fact that cobblers closed shop when shoes got cheaper.

Survival

Shoe menders, typically called cobblers, who are still in operation will be spotted running extra services such as key cutting, dry cleaning and watch repairs, to supplement the dwindling income from repairing shoes. The younger generation is not keen on starting this trade, which means that should you happen to come across a cobbler, they are likely to be persons over the age of sixty.

What the Trade is About

The trade involves among others the replacement of soles and heels, dyeing of leather and suede, fixing broken or missing zippers, straps, etc. You might not see the need for having an economical shoe repaired, but the same cannot be said of high end designer footwear. A shoe costing hundreds or even thousands of dollars is not to be just thrown away because of an amendable flaw. That is a reason enough to seek the cobbler for their services.

The Changing Times

Some years ago, it would not cross anyone’s mind to fix a shoe because it had a flaw. In fact, people would rush the shoe to the cobbler the moment it got a dent, as if it were a sick kid to an emergency room. Then, a good shoe was hard to come by, and care was needed to maintain it by any means.

That is not everything there is to this profession. You can now have your shoes mended online. Yes, you read that right. It is not a typo. There are some very innovative people who take your order for shoe repairs online, and receive them by mail to start working on them. This is a new line of operation, which is yet to undergo the test of time.

How to Become a Cobbler

The trade is not taught in schools, so you do not need any academic qualifications to learn it. You will still need to work under an expert’s supervision and instructions, if you want to learn it well. You can also aim to attain an NVQ/QFC certification, which is recognized as a symbol of high standards.
 

Parts of a shoe

Image


Terminology

The following is a list of terms used to describe parts of the shoe. Some terms refer to parts that all shoes have such as the sole, while other terms may only apply to certain types or style of shoe.
Breast: The forward facing part of the heel, under the arch of the sole Counter: A stiff piece of material at the heel of a shoe positioned between the lining and upper that helps maintain the shape of the shoe. The counter helps strengthen the rear of the soe. Feather: The part of the shoe where the upper's edge meets the sole Heel: The heel is the part of the sole that raises the rear of the shoe in relation to the front. The heal seat is the top of the heal that touches the upper, this is typically shaped to match the form of the upper. The part of the the heel that comes in contact with the ground is known as the the top piece. Insole: A layer of material that sits inside the shoe that creates a layer between the sole and the wearer's foot. A la The insole adds comfort for the wearer, while hiding the join between the upper. Linings: Most shoes include a lining on the inside of the shoe, around the vamp and quarter. These linings improve comfort, and can help increase the lifespan of the shoe. Outsole: The exposed part of the sole that is contact with the ground. As with all parts of the shoe, outsoles are made from a variety of materials. The properties the outsole need are: grip, durability, and water resistance Puff: a reinforcing inside the upper which gives the toe its shape and support. Similar in function to a toe cap. Quarter: The rear and sides of the upper that covers the heel that are behind the vamp. The heel section of the quarter is often strengthened with a stiffener, which helps support the rear of the foot. Some shoe designs use a continuous piece of leather for the vamp and quarter. Seat: Where the heel of the fit sits in the shoe. It normally matches the shape of the heal for comfort and support. 'Shank: A piece of metal inserted between the sole and the insole lying against the arch of the foot. Sole: The entire part of the shoe that sites below the wearers foot. As opposed to the upper. The upper and sole make up the whole of the shoe. Throat: The front of the vamp next to the toe cap. For shoes were the vamp and quarter panels are one piece the throat is at the eye-stay. Toe cap: Shoes may have a toe cap in the front upper of the shoe. Toe caps can take various forms, but the distinct types are: complete replacements for the front upper of the shoe; stitched over toecaps that add an extra layer to the upper; solid toe caps for protection, such as steel toe caps. Stitch over toe caps may be decorative in nature. Toe caps help add strength to the upper front of the shoe, an area that receives a lot of stress and wear from use. Top Piece: The part of the heel that comes in contact with the ground. Made of a durable material that helps maintain friction with the ground. Topline: The top edge of the upper Upper: The entire part of the shoe that covers the foot. Vamp: The section of upper that covers the front of the foot as far as the back as the join ot the quarter. Waist: The arch and in-step of the foot. Welt: A strip of material that joins the upper to the sole. 
There are plenty of terms in cobblery which have religious connotations this could be something to play on:
Heel (Heel for you)
Sole (Save your Sole)
Tounge (save your tounge from evil_

Monday 2 December 2013

Elmwood Brand the Boring - Brief

This brief entailed branding the boring, we were all given different jobs and we had to come up with the name, visual identity, tone of voice and the application of the branding. I was given the proffesion of the cobbler.

Thursday 28 November 2013

THE BEAUTIFUL MEME - UNION JACK REDESIGN



I found presenting my ideas to Ben and Martin wasn't as bad as I expected, they liked quite a few of my ideas and also like the concept I had gone with. The union jack is a really tough brief to tackle as their are so many people to please that its almost impossible to suit everyone's needs. But I feel like I have done a good job for my concept. My idea was to re-brand the UK with positive connotations and try and create a modern equal forward thinking UK which represent unity and togetherness.

Crit Feedback

One of the things they mentioned was the colour scheme, they suggested I should go away and work in mono tone as the flag cant rely on colour to represent meaning, as the colours could have various meanings from different points of view. By working in monotone It will help to create a strong visual identity which is iconic and can work in 1 colour. They chose 4 designs I need to go away and progress with for the final submission and choose one flag overall. They liked the imagery I had used for the majority of the flags except the ones which were too much like the ban the bomb sign, they suggested this was not the route to go down. They also thought that some of the imagery I used did not represent what I had perceived, and was a bit too abstract.

Wednesday 27 November 2013

DR ME BRIEF - COLLABORATIVE FLAG

For this brief we were paired up alphabetically as this is how Eddy and Ryan from DR.ME met at Uni. So with this in mind I was paired up Natalie Dyson. We were given the task of designing a flag between the 2 of us. The flag needed to be 1m x 1.5m and we were to work by hand to start with, then we had the option of scanning in our components and doing any digital editing we saw fit.

Coming up with a Concept

At first we didnt really know how to approach this brief as it was so broad, we could literally do anything we wanted. In order to make it more focused we started thinking about the idea of collaboration and the importance of it. We also wanted to try include aspects of our own personal interests and style within the flag too. The first thing we thought of was a checkerboard as there is essentially 2 opposite components and we could play on this idea of 2's.

From here we decided to go down the route of linguistic couples and objects that are always paired up. We wanted to represent things that cant be seen without the other in an attempt to emphasize collaboration and working together to create something whole and complete.

We decided to work with 2 colours to start with sticking with the pair theme, We wanted to to include the checkerboard idea with coupled illustrations to go in each section. We decided to split the flag up into 15 sections, 3 along and 5 down. We then started researching into linguistic couples and came up with a list of couples that we thought we could relate to and said a little bit about us.

Linguistic Couples

Me
Knife & Fork
Fish & Chips
Peanut Butter & Jelly
Death & Taxes
Cap & Gown
Shits & Giggles
Lock & Key

Both : Business & Pleasure

Natalie

Cat & Mouse
Pen & Pencil
Bed & Breakfast
Eyes & Ears
Ladies & Gents
Tea & Biscuits
Bacon & Eggs


Making the Flag


For this brief we worked predominantly by hand. The majority of the flag was hand crafted using different coloured paper ripping and cutting to create our imagery. This was a very different style of working which I am not usually used to. However I was really happy with the outcome. It was nice to get away from the computer for a while and concentrate solely on crafting. After a couple of afternoons we had created all our imagery.

 Death & Taxes

 Cap & Gown

Peanut Butter & Jelly
 Lock & Key

 Knife & Fork

 Shits & Giggles

 Fish & Chips

 Business & Pleasure

 Cat & mouse

 Pen & Pencil

 Bed & Breakfast

Eyes & Ears
 Ladies & Gents

 Tea & Biscuits

Bacon & Egg

Digital Editing

Once all our illustrations were finished we scanned them into the computer and dropped them all into photoshop in order to mess around with the layout and colours etc.

We split the flag up into equal sections and then placed the images in order and resizing where necesary.

In order to emphasize the checkerboard aesthetic that we were going for we overlaid 2 different colours over the top of the sections. Because we had done the majority of the work by hand we wanted this style to carry through so we left all the overlapping sections and imperfections.


We experimented changing the colour values and contrast until we got a colour scheme which we liked best.

Final Design


This is our final design, we are both really happy with how it has turned out. Its something that neither of us would of probably ever done on our own, but the fact we  both had to collaborate meant that we have come up with something totally unique to our style of design. Its been a really useful and beneficial brief to get us out of our comfort zones and produce original different work. The overall aesthetic of the flag works really well, its not exactly your conventional flag but definitely expresses our creativity. The concept behind it is quite humorous we have not taken the task that seriously. I think the imperfections make the flag much more unique. The hand crafted element makes the flag look much more humane.
I found working with Natalie was great, we didn't have any conflicting ideas and seemed to collaborate quite well. I found the brief quite enjoyable and not half as stressful as I initially anticipated. I think having someone to work with really helps to push your ideas further. Having 2 opinions is always better than one. 


After the huge commotion about printing we managed to get our flag printed in college rather than try barter the price down from Holland. We are really happy with the print quality and have managed get our flag sent of on time for the exhibition.